How do your heroes change? Can a story still be satisfying without the hero transforming? What does the audience expect? Jose Silerio and Naomi Beaty consider Manchester by the Sea, The Martian, The Wrestler and more in defining transformation and determining its role in your screenplay.
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the difference with Manchester by the Sea is twofold, it mirrors a *whydunnit because We the audience change knowing why the character cannot… its more of a mystery as to why he can’t change, and that … changes us.