The Importance of Putting Yourself into Your Scripts
In today’s blog (despite Matt Allen’s solo bio at the end of this piece), writing team Matt Allen and Krista Suh explain what it was like to work on the first Juneteenth family comedy, Block Party, starring Antoinette Robertson, Academy-Award® nominee Margaret Avery, Golden Brooks, Luenell, Faizon Love, John Amos, Charlyne Yi, and more—coming out this summer from Branch Out Productions.
First of all, how did the first Juneteenth comedy, Block Party, even come to be? And how the hell did we… Matt and Krista… get to be writers on it?
Well… we were working together on a holiday movie called Black Friday with Kristin Chenoweth. At the same time, Matt’s wife and fellow producer, Lisa Mathis, started kicking around the idea of a summer comedy about a big neighborhood block party.
Mathis knew she wanted the movie to be set in a predominantly Black community of her hometown of Grand Rapids, Michigan, and inspired by the real-life characters she grew up with in that area. She was passionate about having a feel-good “Rites of Passage” story that didn’t fall into Black stereotypes, or Black trauma. Lisa also knew that the story should revolve around a recent Harvard grad named Keke, who is forced to come home and run the block party this year.
Of course, with a movie called Block Party, storytelling law dictates that something must go wrong with the block party—and our protagonist must fix it. Lisa had outlines for most of the characters, the settings, the look, the feel, the music, almost everything… but we still needed that one major conflict. What would force Keke to have to run this block party? Lisa and Matt were stuck.
Enter a casual conversation with Krista—and because she was having real-life challenges with her grandmother’s dementia—the answer came immediately.
This was her pitch: The block party has been run for 40 years by a super competent, charismatic, and organized grandmother. Call her Grandma Janice. Janice is a pillar of society, someone who seemingly single handedly throws amazing get-togethers, the glue that keeps a community together, the person in the room who always helps, but never seems to need help. But this year, something is off: the block-party planning is showing cracks and it turns out, Grandma Janice has dementia. Through no fault of her own, she has not been able to plan the block party this year, and if the party is to go on, there’s only one person that can help: the reluctant hero and recent Harvard graduate, Keke.
All of us knew instantly: This was the way to go.
A few weeks later we got formally hired by Branch Out Productions to write Block Party, alongside Lisa. Of course, in many ways, this is Lisa’s story, not ours. The barbershop in the movie where the community comes to gather is based on her cousin’s real life barbershop, House of Styles. The owners Debra and Daryl are played by Luenell and Richard “The Rev” Hartley. The main character Keke, played by Antoinette Robertson of Dear White People, is based on Lisa’s niece. In fact, almost all of the characters in Block Party are based on real people in Grand Rapids.
As screenwriters, it was our job to help bring Lisa’s story and characters to life. At the same time, to do our job well, we had to put ourselves into it, our experiences and our quirks—regardless of our color or our gender—to breathe life into the story. There’s no other way.
And so we worked with Lisa, our actors, and of course our director, Dawn Wilkinson, to bring our experiences into the mix. If it worked for the character and felt authentic to Lisa, Dawn, and the actors, we kept it. If it didn’t pass muster with the team… it was gone.
There are four examples that came from “us,” but became more universal after the process with Lisa and the team:
- There’s a big joke where Margaret Avery reminisces about some naughty “special kisses” with a former lover played by the legendary John Amos. This comes from Matt’s awkward “special kisses” experience with a former boss.
- Some of the other female family dynamics come from Krista’s life. Krista is one of her grandmother’s favorites. In fact, her grandma ignores her own daughter in favor of Krista! Translated to the screen—especially in the hands of Margaret Avery, Golden Brooks, and Antoinette Robertson—it is a set-up with an amazingly emotional pay off.
- The main character Keke also has an antagonistic relationship with a rival cousin named Eboni (played by Birgundi Baker of The Chi). This is based, in part, on Krista’s relationship with her cousin and how their family is always comparing the two of them. The rivalry between Keke and Eboni has become one of the most relatable relationships in the movie.
- One of the “villains” of the movie is a real-estate crook named Buddy Frank, played by the incredible Brad William Henke. This guy was originally based on an old friend of Matt’s named Dallas. But after talking with Dawn as well as Brad, the character of Buddy became its own amazing thing.
With any of your projects, even when the story is not your own, know this: While it is your job to stick to the assignment, the unspoken rule is that you must always dig deep and bring your own experience to it and see if it fits. If we made the story overly about us, there’d be a lot more karate (Matt) and pussyhats (Krista) onscreen, but we killed our “darlings”! Yet the darlings that made the cut have become essential to Block Party.
At the end of the day, Block Party is a whole that is greater than the sum of its parts, with creative contributions from the writers, director, actors, and more. We hope you enjoy watching it this summer (and every Juneteenth thereafter!) as much as we enjoyed creating it!
Collaborating with major studios like Paramount, he penned the heartwarming film Mighty Oak (2019) and co-wrote the hilarious comedy Block Party (2022) with writing partner Krista Suh. A member of the Writers Guild of America (WGA) for over 20 years, Matt's deep expertise in screenwriting has been honed to be sharp as a tac.
Diving into the future of storytelling, Matt is pioneering as a prompt engineer, where he utilizes artificial intelligence to elevate the creative writing process. This innovative endeavor amplifies his ongoing commitment to merging technology and artistry.
Beyond his writing exploits, Matt is also a seasoned producer, bringing stories to life in films like 2021’s Run & Gun and the aforementioned Block Party. His deep understanding of the entertainment business was further enriched during his tenure as a talent agent at ICM (now CAA), offering him invaluable insights into Hollywood's inner workings.
As Matt continues to break new ground in storytelling, his unwavering passion for his craft, combined with a keen eye for industry trends, keeps him at the forefront of innovation.